Gordon Truefitt’s Guide To The Fringe
May 28th, 2008 at 02:02am brian
Gordon just emailed me his take on some of the shows he’s seen. It looks like a great crop of shows this year!
Gordon writes:
SILKWORM/Rubin: Excellently produced and performed two hander. The content is interesting and entertaining. The piece is a collection of recollections but, as these seem to be arranged in some sort of progression, and because it is played by the same two characters, it comes over more as a disjointed postmodern narrative, which for me was confusing rather than focusing. None-the-less well worth the visit.
H+A SCREENPLAY/rubin Naiviety is the virtue which saves this updated examination of `Heloise and Abelard` from becoming a vampish `Vicar and Tart` melodrama. The truths and significances of the original love story are often written-off nowadays as the product of the constrictions of medieval monastic life. This show manages to show that perhaps all that has changed in life and love is the setting. And it does so entertainingly, with good phyicallity, lighting,projection and set. I`m glad I saw it.
THE SACRED SOW/Rubin: Very `Irish`, very claustrophobic, very `narrative`; “Ah none o`yer postmodern rubbish here!”. Very talented cast who are still exploring. Well worth seeing - and keeping yer eye on!
KARAGIOZIS EXPOSED/na Pradle: This is one of the best pieces of theatre I`ve seen in years. “A Cypriot Puppet Show?! Don`t make me laugh!” Oh it does that all right; and heaps more. This takes theatre to places I`ve only dreamed of - and only pretty vaguely at that too. A MUST!
40 FEATHERED WINKS/na Pradle: The choreographic slickness of this piece of excellent physical theatre (set and lighting to match!) is so good that it almost (but doesn`t !) mask the equally excellent funny, or thought provoking, content. I`m just grateful it was one of the `granted` on my Wish-List.
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